Filed under: Language
I still can’t say it. Laugh away, Icelanders.
I still can’t say it. Laugh away, Icelanders.
Last month I found out that there was going to be a concert of Balkan brass music with four gypsy bands. I was pretty excited as this is a rare opportunity here to listen to this kind of music.
It was not to be. Not for me at least.
A few minutes after we took our seats, some middle-aged hippie woman came up to us and asked me if I was going to dance. “Because I have a few friends coming and they might want to sit where you are,” she explained.
Matt and I laughed and turned back to face the stage. The hippie then pulled out a kazoo and tested it out. Five minutes later, when her friends came, she explained that she brought, in addition to her kazoo, a pair of maracas and a shaker. She wanted to jam with the band. Maybe go outside and jam with the gypsy bands on the street. Maybe go into the downstairs bar and jam with the bands there.
Alas, she decided to stay put.
For the next thirty minutes, she shook those maracas inches from my ears along with each song the real band played. In tune, out of tune, she shook. And shook. And shook. And shook.
Other audience members began glancing backwards, with awkward smiles.
I sat seething, twiddling the flowers on the table, holding myself back from crushing them. Each time a new song started, maracas-and-kazoo hippie waited until the song got going and then began her maracas-shaking in my ear again.
My fantasies during the half an hour of suffering ranged from getting my revenge afterwards online to grabbing her maracas and hitting her on the head with them. At one point in my head-hitting fantasy, I tried to stop myself and put down the maracas - then relented, grabbed a chair and hit her with that instead.
When I could stand it no more, I got up to complain to the staff. I managed to almost walk away. Then I looked at her face and yelled, “You’re fucking annoying!”
Kazoo-and-maracas hippie looked at me in utter confusion.
Matt afterwards told me that he was fantasizing during her hijacking of the main concert too. Things like grabbing her maracas and tossing them onto the dance floor. Or crushing the maracas and spilling the beans all into the hippie’s face.
I fear I may have hurt her feelings. Weirdly, though, I feel better. Minimal guilt. Probably would have felt angry for years to come if I hadn’t blurted out my venom.
This blog post should have been written right after I read the book, but I needed to wait for a time when I had lots of work and needed the procrastinating. As luck would have it, I forgot what I was going to say. I jotted down the page numbers of two quotes for future reference. I know I Capture the Castle was a good book, but it’s probably good I don’t blurt out any spoilers here.
Just read the novel - though with a word of warning if you don’t like teenage girls and their romances. The narrator here is one, though filtered through a woman in her fifties. Playwright Dodie Smith (most famous as the writer for 101 Dalmatians) took two years to write and re-write a year in the life of a 1930s teenager with literary aspirations living in a decrepit castle in England. The writing comes out pretty good, the characters are all perfect for not being perfect - normal people with no one entirely villainous, like most people in real life. There’s comedy too, with the bear fur coat part as my favourite.
Now for my two quotes - for my reference - probably boring for you, dear reader:
Page 277, on finding help in bad times:
Then I told myself that as I never gave the Church a thought when I was happy, I could hardly expect it to do anything for me when I wasn’t. You can’t get insurance money without paying the premiums.
Page 279, the best description for the use of religion I’ve heard, which more people should keep in mind:
‘It’s merely shorthand for where we come from, where we’re going, and what it’s all about.’
Someone posted Shirley Eleanor Nash’s obituary on Facebook. Born in Winnipeg, Manitoba, Canada in 1916, she died on Thursday, March 11, 2010 at 93. I don’t want to forget who she is nor how well she lived her life, so here’s the link to this great lady. Just in case, too, I am adding her photo here:

(Besides, they had more style back then. The hippies probably ruined North Americans’ fashion sense for ever.)
In case they ever remove the obituary, I made a bulleted list of her life’s highlights to refer to when I need a little push towards the life I want to live:
My dad sent me this video with no explanation. I thought everyone was crying with joy at the unbridled creative expression. What art lovers those Russians are, I said to myself. The artist used a light box and sand to create a performance where her drawing was almost, at parts, a form of dancing. I’ve always envied performers and musicians that their arts could be shared immediately with their audience (and make money busking should they ever find themselves on the streets), whereas poor writers and visual artists had to create something out of the public eye for exclusive venues like galleries. Ha! Light boxes on TV, I thought, that’s the trick! Maybe now we can have televised drawing on TV!
Turns out I should have researched this. The young woman is 24-year-old Ukrainian artist Kseniya Simonova on some sort of TV talent show. She won the $1,000,000 Ukraninan Hryvnia prize. Which is a good thing because the young mother from the Crimean lost her business in 2008.
It’s a good thing she’s got hipster bangs and dresses well.
Omlet, the company that makes those Ikea-styled chicken coops also makes sleek guinea pig homes. Their website has pages and pages on guinea pig biology and the guinea pig lifestyle. I’ve summarized some of my favourite facts below for reference:
As for the guinea pig language:
When I was sixteen, a teacher in social studies handed out to each of us a world map with country boundaries but no names. “Just to test out where you are in geography,” he said. “Take fifteen minutes and write the names of all the countries you know in the blank spaces.”
After fifteen minutes, I still needed more time. Some white trash chick sitting nearby looked over at my sheet of paper and said, “What? Did you memorize the map?”
“No, bitch, I simply listed the places I am going to visit while you rot here in your redneck pork palace.”
Well, it would have been really cool if I could have made that comeback when I was sixteen.
Courtney Humphries writes it better than I can retell it:
Thom Verhave, a psychologist working at a pharmaceutical company in the 1950s, tried to apply pigeons to an onerous aspect of commercial production: quality-control inspection. Touring the area where capsules were manufactured, he watched as about seventy women examined each capsule one by one on conveyor belts, discarding the “skags,” capsules that were dented, misshapen, or discoloured. Figuring that pigeons could do the same task, Verhave proposed the idea to the director of research, who had just managed an expensive but failed attempt to use a machine to inspect capsules. Verhave was given permission to develop a demonstration device, and he trained two pigeons to recognize common defects and report if they spotted one. Within one week of training, both birds were inspecting capsules with 99 percent accuracy. Their performance garnered visits from higher-ups at the company, but soon the board of directors quashed the project. Even if it worked, who would buy drugs from a company that used pigeons for quality control?
(From Superdove, pages 91-92)
As I continue reading Superdove, there are more great pigeon trivia tidbits I will be using to impress family members at Christmas dinner:
*The Palmetto Pigeon Plant has a pigeon cursor that freaked me out the first time I went to the site. As for the “House for Forced Matings,” why didn’t they just call it the “House for Non-consensual Pigeon Sex” or the “House for Pigeon Rape”? The company has diversified since 1989, now raising cornish hens, silkie chickens and poussin chickens.
“When something is everywhere, it paradoxically becomes invisible and its value diminishes in our minds,” says Courtney Humphries in Superdove: How the Pigeon Took Manhattan…and the World.
One night many years ago*, I was in the hostel by the Paris Opera and one of my dorm-mates had researched pigeon behaviour as part of a study on brains. “Pigeons are smarter than chimps,” she told us. “We taught the pigeons to use a computer to speak to us. They pecked at a keyboard to spell out words. They talked up a storm.”
I liked pigeons before I met the pigeon scientist in Paris. I like their cooing sounds on spring mornings. I appreciate their resourcefulness. Plus, feeding them is the only thing I can ever afford when I visit the Piazza San Marco.
Turns out pigeons are not the only avian urban warriors. With starlings and sparrows, pigeons are a new arrival to North America. I’d known about the Central Park Shakespearean bird project in the 1850s, when a literature fan tried to populate the park with all the Bard’s birds, including the now ubiquitous starling. I didn’t know that sparrows immigrated to this continent only from 1851.
I’m only on page 15 of the book and Humphries provides some amusing trivia so far:
*It was 1996, Matt.
**No word about Dutch parrots, Matt.